{"id":9383,"date":"2016-05-19T18:40:20","date_gmt":"2016-05-19T15:40:20","guid":{"rendered":"http:\/\/manofim.org\/harama\/?p=9383"},"modified":"2016-05-19T18:40:20","modified_gmt":"2016-05-19T15:40:20","slug":"anatolia","status":"publish","type":"post","link":"https:\/\/manofim.org\/harama\/anatolia\/","title":{"rendered":"Anatolia"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>\u00a0<\/strong>In the video-work Anatolia,\u00a0 acts\u00a0 of\u00a0 covering and\u00a0 wrapping\u00a0 are\u00a0 not\u00a0 personalised.\u00a0 Cultural\u00a0 layers of\u00a0 the\u00a0 past do not reach\u00a0 as\u00a0 far\u00a0 as\u00a0 the\u00a0 cultural\u00a0 diversity\u00a0 of\u00a0 the\u00a0 region\u00a0 of\u00a0 Anatolia.\u00a0 The\u00a0 covering of\u00a0 the\u00a0 model\u00a0 here\u00a0 is\u00a0 gestural.\u00a0 However,\u00a0 different\u00a0 social\u00a0 roles\u00a0 are\u00a0 questioned\u00a0 to\u00a0 point\u00a0 to\u00a0 the feminine\u00a0 in\u00a0 this\u00a0 work.\u00a0 The concept\u00a0 for\u00a0 the\u00a0 video-work\u00a0 refers\u00a0 to\u00a0 the\u00a0 issues\u00a0 of\u00a0 taboo\u00a0 and privacy\u00a0 in\u00a0 addition\u00a0 to\u00a0 the\u00a0 cultural\u00a0 diversity\u00a0 of\u00a0 Anatolia\u00a0 itself.<\/p>\n<p dir=\"ltr\">The\u00a0 feminine role which appears\u00a0 in social performances\u00a0 in society\u00a0 is overlapping\u00a0 with\u00a0 the\u00a0 covering of\u00a0 the\u00a0 model in the film. For example:\u00a0 employed\u00a0 woman,\u00a0 woman\u00a0 in\u00a0 the\u00a0 home,\u00a0 the\u00a0 woman\u00a0 next to\u00a0 her\u00a0 husband\u00a0 etc<\/p>\n<p dir=\"ltr\">They\u00a0 show\u00a0 the psychology of regional wrapping. The film emphasis\u00a0 notonly\u00a0 social strangulation but also that women\u00a0 have\u00a0 been\u00a0 converted\u00a0 into cultural objects. Especially, woman\u2019s\u00a0 freedom.<\/p>\n<p dir=\"ltr\">In addition to being related to the region of Anatolia, it is a visual feast on on the diversity of traditions.<\/p>\n<p dir=\"ltr\">* * * *<\/p>\n<p style=\"text-align: left;\"><strong>\u015einasi G\u00fcne\u015f<\/strong><\/p>\n<p style=\"text-align: left;\">.G\u00fcne\u015f\u00a0 wasborn in 1968 andlives&amp;works in Istanbul. Havingcompleted his Master at Marmara University, Fine Art Faculty, Department of Painting in 1992<\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/www.sinasigunes.net\">www.sinasigunes.net<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/www.simulasyon.net\"> www.simulasyon.net<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Video-Art, 2006<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[131,56,130,57,52,348],"_links":{"self":[{"href":"https:\/\/manofim.org\/harama\/wp-json\/wp\/v2\/posts\/9383"}],"collection":[{"href":"https:\/\/manofim.org\/harama\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/manofim.org\/harama\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/manofim.org\/harama\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/manofim.org\/harama\/wp-json\/wp\/v2\/comments?post=9383"}],"version-history":[{"count":6,"href":"https:\/\/manofim.org\/harama\/wp-json\/wp\/v2\/posts\/9383\/revisions"}],"predecessor-version":[{"id":9776,"href":"https:\/\/manofim.org\/harama\/wp-json\/wp\/v2\/posts\/9383\/revisions\/9776"}],"wp:attachment":[{"href":"https:\/\/manofim.org\/harama\/wp-json\/wp\/v2\/media?parent=9383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/manofim.org\/harama\/wp-json\/wp\/v2\/categories?post=9383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/manofim.org\/harama\/wp-json\/wp\/v2\/tags?post=9383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}